In Rotating in a Room of Images, participants spend the majority of the 15-minute production in pitch darkness, guided only by invisible hands and the spooky voice in the headphones.
Theatre does not have to be linear or orderly, its strength lies in collage, Mikuš tells us. Werter, Werter is broken, odd, and wonderful.
Ten Pence Short, the company behind Hot Air asked its audience for feedback, find out what Matt Boothman had to say.
With fewer histrionics, and greater faith in the actors’ ability to make us care, Kitty and Damnation would be a much stronger piece of theatre.
Idle Motion's ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.
Dare to venture out into the dodgy little fringe theatres, the rooms above pubs that are dotted all around London.
I am permanently on the lookout for women on the comedy circuit and I rarely find them so when I do it’s always a great treat.
The Forest Fringe is set to challenge every convention in sight, from the role of the audience right up to what we can comfortably classify as theatre.