John Donne once wrote "No man is an island”, but in this urban age of glass cities, and right here on this stiff wooden theatre bench I think I disagree.
Translating aesthetic representation into direct social action is a problem that challenges the limits of radical theatre and its potential to instigate change.
London Bridge is a bit of theatrical Narnia. Discreet entrances, discoverable only by chance or by word of mouth, lead straight to the underground London of Neil Gaiman‘s Neverwhere – dark and improbably huge brick caverns and tunnels colonised, equally … Continued
Do you tweet? What can Twitter do for your work in the creative industries? Sinead MacManus covers the main points of the world's most used microblogging service.
'Shakespeare Searched' is an excellent resource targeted primarily at students and teachers but also useful to anyone with an interest in Shakespeare.
How does biology inform our perception of the performer on stage and how relevant is the knowledge of scientific and technological advances in biology to the actor today?
Meyerhold was in search of a new kind of theatre; one that could widen its emotional potential to express new thoughts and ideas and reflect the times in which he was living.
Chronicle of a journey to the Cartoucherie de Vincennes to see Théâtre du Soleil's latest production, Les Naufragés du Fol Espoir.
Rethinking the ways in which human bodies interact with their technological surroundings is key to Stelarc's exploration of the cyborg.
Dare to venture out into the dodgy little fringe theatres, the rooms above pubs that are dotted all around London.