In this interview, entrepreneur, actor and playwright Marcus Marcou talks about theatre and entrepreneurship.
Theatre does not have to be linear or orderly, its strength lies in collage, Mikuš tells us. Werter, Werter is broken, odd, and wonderful.
In Rotating in a Room of Images, participants spend the majority of the 15-minute production in pitch darkness, guided only by invisible hands and the spooky voice in the headphones.
Wondermart continues Rotozaza's work with audio-instructed performance and develops the site-specific element introduced in Etiquette.
What do Punchdrunk's Tunnel 228 and Tim Crouch's England have in common? They rethink the relationship between artwork and gallery space through interdisciplinary performance.
Warm, wise and beguiling, The Frog Princess is fifty minutes of rough magic that takes its audience on an epic imaginative journey.
Is a work of art only as interesting as the sex-life of its creator?
Amazon Kindle is by no means a substitute for the printed novel, but its support of online content, including blogs and online newspapers, makes it an exciting reading medium for the tech savvy generation.
Tunnel 228 isn't meant to be found (i.e. stumbled upon at random); you're meant to find it (i.e. actively seek it out).
Holy Mothers is full of surreal religious moments, and while not always explored to their fullest extent, they add an evocative dimension to Schwab’s renowned Austrian cynicism.